Close my Eyes

from by Kate Fletcher

/
  • Compact Disc (CD) + Digital Album

    A startling collection of womanly songs, deeply original & darkly traditional. Beautifully crafted with voice, guitar, oboe, kantele & flute, & expertly produced by Robert Harbron. Wistfulness, sadness, beauty & hope. Quietly stunning.

    "... she is defiantly a solo artist, affording us an intimate glimpse into her own distinctive and private creative world.

    Hers is an unusual and intriguing soundscape, rejoicing in a subtle and unpretentious use of a variety of instrumental colours and timbres...with unobtrusive production by Robert Harbron, there's a homespun, primitive immediacy to the proceedings that's really attractive...

    Kate's songwriting is honest and succinct, understated and refreshingly non-self-indulgent,...The standout tracks for me are highly contrasted: on one hand the disturbing, stark and broodingly strange Midnight, which tells of a modern-day haunting, and on the other the comforting haven of the beautiful Beyond The Silence.

    Kate's work is quietly stunning..."

    Reviewer: David Kidman, Stirrings Magazine.

    Muse Magazine:

    "...inspiring arrangements of traditional songs. My immediate reaction to hearing the music of the Dorset songstress was very pleasurable."...."Kate's haunting vocals result in desolate and beautiful renditions."..."Kate Fletcher has created a down to earth folk album which seems to transport you outside of the confines of your home into the countryside's open spaces and rolling hills."

    Sacred Hoop Magazine:

    Kate Fletcher, a good English name for a good English singer with a considerable amount of good feel for good traditional English music flowing from her first solo CD. Her voice and style come across as very traditional folk, and four of the songs are folk songs, the rest all bar one, are written by Kate herself. She also plays most of the instruments herself too, including one I had never heard of - kantele, a Finnish plucked psaltery.

    The songs range from love songs to songs about the elements and the four directions, spells and witchcraft, Pennant valley (the shambhala of Mid Wales), and the San Bushmen. All the songs are well crafted and played, with no evidence of any self indulgence. Throughout her voice is charming and strong, and I especially like the song she wrote for Pennant, which I first heard on a day of 'wall to wall computing'. It made me stop and wonder what the hell I was doing typing a keyboard all day long.

    Reviewer: Nick Wood.

    The Druid Network:

    The blurb on this CD says it is a 'startling collection of womanly songs' and this is very much the case. Here there are spells and ballads, and each one feels wholly to be the call and cry of the female soul. Each is sung with a softly clear voice, to acoustic instruments (guitar, oboe, kantele), all played and sung by the artist except the mouth bow, played by Corwen ap Broch. There is a medieval element in places, which is where I feel she is most captivating. Other sources of inspiration are Northern European and the Kalahari, but always she is haunting in her expression of emotion - not always raw but ethereal and questioning. It is worth listening to as a whole, and some tracks are worth dissolving into completely.

    Reviewer: Emma Restall-Orr

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about

About hating God and school. Or maybe its just a breaking up song. I don't know, I was nineteen and a bit mixed up when I wrote it!

lyrics

CLOSE MY EYES

I don't have a leg to stand on
I don't have a hope in hell
But if you're at the end there waiting
I only hope you'll say I lived and did it well
But if I have to close my eyes to see
My ears to hear
If I have to close my mind to understand
I will not come back here again

Ten thousand thousand years
But only three score ten are mine
And every night I think of it
I know that I am running out of time
But if I have to close my eyes to see
My ears to hear
If I have to close my mind to understand
How can I come back here?

What will you do if I want you back?
I have to keep my head together
I do not have a leg to stand on now
What will you do if I want you back?
I have to keep my world together
I do not have a hope in hell
What are you going to do?
What are you going to do?

I read and read but still
Nothing seems to ring true
And every path I follow
Only ever leads me back to you
But you make me close my eyes to see
My ears to hear
And you make me close my mind to understand
I never want to come back here again
Not for the years and the learning

What will you do when I call you back?
I have to keep my head together
I do not have a leg to stand on now
What will you do when I want you back?
I have to keep my world together
I do not have a hope in hell
What are you going to do?
What are you going to do
When I call for you?

credits

from Fruit, released January 1, 2007
Kate Fletcher

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about

Kate Fletcher & Corwen Broch Scotland, UK

Kate was raised on porridge and song in a family of eccentric musicians in Reading. Wrote my first song at 19. Bought a Narrowboat to live on. Everyone said it was a phase. I still have the boat.

Corwen grew up in Dorset with his grandparents who were The Last Of The Victorians. He was instilled with a love of spartan living, open fires and outside toilets.

They make beautiful music together!
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